Molly Blank Past Performances
October 202–December 2024
About
The Breman Museum is pleased to announce the schedule for the Molly Blank Concert Series, marking its 10th anniversary in 2024. The Oran Etkin Quartet, featuring the celebrated jazz clarinetist, will launch the series on February 25. It will be followed by “Joyful Jazz,” featuring the Joe Alterman Trio with special guest Ken Peplowski, on April 21; and the revue “There’s No Business Like Show Business: A Tribute to Irving Berlin” on June 2.
In keeping with a Molly Blank Concert Series tradition, all three of the 2024 shows will be enhanced by pre-performance receptions (included in the ticket price) featuring professionally catered food that takes its cues from the music being presented. It’s a chance for Breman audiences to compare music and other performing arts notes with fellow guests before the evening’s show. Each reception starts at 4 p.m., with performances beginning at 5 p.m.
The 2024 Molly Blank Concert Series:
• Oran Etkin Quartet “Open Arms Project,” February 25
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Oran Etkin has been described as “ebullient” by the New York Times and was voted the No. 1 rising star clarinetist in DownBeat Magazine’s 2016 Critic’s Poll. His music can be heard on concert stages worldwide and on numerous recordings.
As his career matured, Etkin reimagined how touring could become part of the creative process with his “Gathering Light” project. Flipping the traditional record-then-tour model, he first toured in Indonesia, China, Japan, Israel and West Africa and then let the rhythms and melodies he encountered influence the music he created with his New York-based band of Nasheet Waits, Ben Allison, Lionel Loueke and Curtis Folks.
Since then, Etkin has deepened his concept of gathering light as he tours by taking time off between shows to live with traditional mbira masters in Zimbabwe or building collaborative projects with Roma (Gypsy) musicians in Czech Republic.
In 2020, Etkin launched the “Open Arms” project, a monthly release of singles and music videos recorded and filmed around the world with master musicians. An extension of that project, Etkin’s album “Open Arms” is a new release. Recorded as he toured in Brazil, Zimbabwe, the U.S., Canada, Czech Republic and Turkey, the album features on-location collaborations with musicians in each country as well as well as innovative use of sampling and electronics to improvisationally deconstruct these field recordings in an interconnected web spun by Etkin’s live band.
This fresh combination of deeply traditional sounds with forward-looking improvisations and electronics tells a spellbinding story of an opening and connected world, rooted in its cultures yet intent on forging a new path forward.
• Joyful Jazz Featuring the Joe Alterman Trio and Special Guest Ken Peplowski, April 21
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Everyone in the sold-out crowd that deeply dug the head-bobbing jazz and joyful vibe of the “Joe Alterman and Houston Person: Together Again” concert at The Breman last March is no doubt still smiling at the memory. Atlanta-based jazz pianist Alterman gives an encore of sorts for the 2024 Molly Blank Concert Series, this time joined by jazz clarinetist and tenor saxophonist Ken Peplowski.
Peplowski is well prepared to go wherever Alterman and trio members bassist Kevin Smith and drummer Justin Chesarek want to go.
“When you grow up in Cleveland, Ohio, playing in a Polish polka band, you learn to think fast on your feet,” said Peplowski, who played his first professional engagement when he was still in elementary school. He dove into the deep end of jazz when, after a year of college, he joined the Tommy Dorsey Orchestra under the direction of Buddy Morrow.
Today, he’s comfortable making music in all sorts of settings and situations — small clubs, the Hollywood Bowl (where his concert sold-out), headlining in Las Vegas, the Newport Jazz Festival, pops concerts, European festivals and clubs or home in New York City. He’s done everything from playing on the soundtracks to Woody Allen movies to guest soloing on albums by Marianne Faithfull and Cuban vocalist Isaac Delgado and many more artists.
• “There’s No Business Like Show Business: A Tribute to Irving Berlin,” June 2
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Hear about the birth of American Popular Song via learning about its Founding Father: Irving Berlin. In this fun and informative mash-up of concert and cabaret produced by The Flying Carpet Theatre Company, some of Atlanta’s best musical theater artists will weave performances of some of Irving Berlin’s classic songs with tales from his captivating rags-to-riches life story.
Flying Carpet’s seasoned cast members will share unforgettable Berlin songs including “Blue Skies,” “God Bless America,” “Alexander’s Ragtime Band” and “There’s No Business Like Show Business,” as they trace his journey from a penniless Russian immigrant to one of the most celebrated songwriters in American history.
A 2001 Time magazine article estimated Berlin wrote 1,250 songs, 25 of them reaching No. 1 on the charts. He wrote 17 complete scores for Broadway musicals and revues including “Call Me Madam” and “Annie Get Your Gun.”
How appropriate, then, that Flying Carpet’s cast members claim, between them, credits in Hollywood films, on Broadway and across Atlanta’s professional stages.
About
The Breman Museum is pleased to announce that its beloved Molly Blank Concert Series returns after a two-year pandemic-caused pause with Anat Cohen Quartetinho in concert on Sunday, November 20. The 4 p.m. concert and reception will launch the Breman’s three-program Molly Blank Concert Series.
Quartetinho (pronounced “quar-te-CHIN-yo”) is Brazilian for little quartet, and on the tour that brings prolific jazz star Cohen to Atlanta, she is playing with her brand-new group. In addition to its namesake leader (clarinet and bass clarinet), Anat Cohen Quartetinho features Vitor Gonçalves (accordion and piano), Tal Mashiach (bass and 7-string guitar) and James Shipp (percussion, vibraphone and electronics). The group was birthed from Cohen’s Grammy-nominated ensemble Tentet (of which each musician in Quartetinho also is a member) that released the highly lauded album “Triple Helix” in 2019.
Hailing from Israel, the U.S. and Brazil, this new quartet expands the deeply rooted Brazilian influences of Cohen’s music to embrace exciting new sonorities, including acoustic and electronic sounds.
“We are thrilled to welcome back the Molly Blank Concert Series with a talented lineup starting with Anat Cohen Quartetinho,” Breman Executive Director Leslie Gordon says. “As an Israeli musician known for explorations in Brazilian music, Anat well represents the diverse expressions of Jewish culture that our Breman Museum audience embraces.”
Reuniting for a concert titled “Joe Alterman & Houston Person: Together Again” at the Breman Museum on March 19, pianist Alterman and saxophonist Person will dig into standards of the Great American Songbook.
Togetherness is a key component for these musicians who are decades apart in age but totally simpatico on stage. “Houston and I have such a fun time performing together,” Alterman says of his collaborations with legendary saxman, “and there are smiles all around when we play — both on our faces and those in the audience.”
The late, great Ramsey Lewis called Alterman’s music, Happy music with tasty meat on the bones. The pianist believes that description describes what’s in store for “Together Again” perfectly, with swing, funk, soul and blues on the menu.
George Gershwin (1898-1937), “America’s Composer,” synthesized jazz, classical music, opera, and ragtime into his unique style. His brother Ira (1896-1983), collaborated with George as a lyricist, and together they wrote some of the most memorable songs of the Twentieth Century.
The Gershwins were born Yakov and Israel Gershowitz to Ukrainian Jews in New York City. George was a charismatic extrovert who became a huge celebrity. When he attended parties, he was always at the piano or dancing. He never married and supposedly said, ““Why should I limit myself to only one woman when I can date as many women as I want?” Ira was the polar opposite: shy, bookish, and a dedicated family man. Together they changed American popular music.
In this delightful hybrid of concert and cabaret, performers will weave the Gershwins’ fascinating life story with performances of some of their biggest know songs like “I Got Rhythm,”, “S’Wonderful,” “They Can’t Take That Away from Me,” “Let’s Call the Whole Thing Off,” and “A Foggy Day (in London Town).”